raising cain director's cut differences

It's hard to think of a director with more divisive films under their belt than Brian De Palma, and Raising Cain (1992) is just one of them. Perhaps looking for something that better fit the kind of filmmaking he was used to after spending the last few years of moving away from that style of storytelling, De Palma, working as his own screenwriter for the first time since “Blow Out,” came up with one doozy of a narrative—one that simultaneously embraced the suspense thriller genre that he knew so well and allowed him enough room to not only play with the form but to wickedly spoof it as well. It shows you how simple editing choices can result in HUGE tonal shifts. By the time that film was released, he already had his next job—against all odds, he won the coveted job of bringing the Tom Wolfe best-seller “The Bonfire of the Vanities” to the big screen. seven Enter your email address to subscribe to Film ‘89 and receive notifications of new posts.

Bringing the director back to his early thriller roots (like DRESSED TO KILL and BLOW OUT) that were drenched deeply in Alfred Hitchcock suspense and callbacks, CAIN came off as a trainwreck of a movie mixing tones and themes but never truly satisfying.

What’s wrong with standing on the shoulders of giants as long as you make your work distinctly your own? Even among fans of the filmmaker’s often-divisive oeuvre, this particular work has been a source of contention ever since it was first released. “From a Certain Point of View”, Examining The Politics of The Star Wars Saga. Even De Palma himself has seemed a bit at odds with the project at times—in a 2006 interview with CHUD.com, he admitted that he could never quite get the opening scenes to work in the way that he initially conceived them and in fact, he rearranged the structure of the entire film during the post-production process as a result.

Whether the director was pushing his stylistic flourishes to their limits to make the best thriller he could or simply lampooning his own Hitchcock referencing obsession doesn’t really matter as Raising Cain is a wild ride full of drama, tension, absurdity and oodles of style. Limited Edition [3000 copies] containing two versions of the film on Blu-ray and the theatrical version on DVD, Optional English subtitles for the deaf and hard-of-hearing on both versions, Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh, Booklet featuring new writing on the film by Anne Billson, High Definition digital transfer of the theatrical version. I was never a huge fan of Brian De Palma’s 1992 thriller RAISING CAIN.

Brian De Palma has long been derided for being a Hitchcock copycat, and anyone familiar with his work has to (somewhat) agree, that Hitch is an influence. In 2012 a new cut of the film emerged, a fan edit by film and TV director Peet Gelderblom, which was originally released on Indiewire. During the editing process, however, De Palma began to worry that by focusing on the softer and more soap opera-like material involving Jenny and Jack, he might run the risk of losing the audience. Factory to include it on the new Blu-ray release in addition to the original theatrical verison. This would place it nicely in a trilogy of films which would include Sisters and Body Double. Starring: John Lithgow, Lolita Davidovich, Steven Bauer, Frances Sternhagen

This however, proved disastrous in test screenings with audiences confused about exactly what was happening and when. That kinda beats the way we did it.” Then imagine Sir Paul adding: “Let’s bring it out properly.”. Alex Garland’s ‘Annihilation’ and an International Distribution Dilemma. Please reload CAPTCHA.

Factory has put together a new collector’s edition of the film, contained the actor’s greatest and most deliriously off-the-wall performance, Immerse Yourself in Martin Scorsese’s World Cinema Project #3, New Works Virtual Festival Rescheduled for November, Seeking Editors, Video Interview: Aaron Sorkin, Eddie Redmayne & Frank Langella on The Trial of the Chicago 7.

They will be addressing the re-cut in some way, since they asked me to provide a picture of myself. When discussing the filmography of Brian De Palma there are a number of obvious films that come to mind – Scarface, The Untouchables, Carlito’s Way, Obsession and Dressed To Kill being just a few. De Palma always seems to get the short shrift when it comes to the appreciation he should receive. for an in-depth look into … You can selectively provide your consent below to allow such third party embeds. These cookies will be stored in your browser only with your consent. Needless to say, I was geeking out big time… and cursing my hotel’s shaky Wi-Fi connection. It was a return to the Hitchcockian filmmaking that he had long been associated with.

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